The newspaper industry has lost billions of dollars in the last 10 years in advertising revenue due to Google and has seen a decline in subscriptions. A new report from the Newspaper Association of America paints a bleak picture of revenue in 2013.
The Newspaper Association of America said revenue fell 2.6% to $37.6 billion in 2013. Meanwhile advertising revenue fell 6.5% to $23.6 billion in the same period.
These losses were slightly offset by increases in digital advertising and Paywalls from the New York Times and a myriad of others. This contributed to a 3.7% jump in circulation revenue. Still, digital advertising growth, while not growing as fast as some in the industry have hoped, continued to climb. Mobile ad spending soared 77%, although it still accounts for less than 1% of total newspaper revenue.
In order to build a better future for digital advertising revenue, some companies are betting big on developing their own add exchanges. One initiative that launched last year was the News Corp Global Exchange, that brought together the ad space of 50 websites and mobile/tablet products including Times.co.uk, TheSun.co.uk, NYPost.com, TheAustralian.com.au, MarketWatch.com and News.com.au. It allows advertisers to use one portal to advertise in the entire network, or just a specific publication.
Saturday, April 19, 2014
Magzter has been a breakout success story in India with userbase of six million and 35,000 digital magazine downloads a day. The company is experimenting with new content delivery methods to appeal to a new demographic via Groupon India.
The new Groupon Campaign is poised to appeal to new and existing users of Magzter. Right now you can save 50% on 24 different magazines that target several key segments, including Women, Men, Health, Lifestyle and Travel, among others.
"Magzter believes in innovating constantly to reach our desired goal of becoming a first choice for the entire digital reading community. Our partnership with Groupon is a step in the right direction. We look forward to promoting other publishers as well and are certain consumers will be thrilled with the exciting reading content that we have to offer," said Vijay Radhakrishnan, Co-Founder and President, Magzter.
This marks the first time that a digital magazine platform has done business with Groupon to expand their business. It is a very interesting move to see if users respond to the discounts and end up being solid customers. Likely other companies such as PressReader, Zinio and Recorded Books are eyeing how it all plays out, to see if its viable for them.
Groupon has wrecked havoc in the retail and service based industry. For the most part it is a losing proposition to throw down with a big Groupon campaign. Digital though, is very interesting, since Magzter can afford to take a hit with their digital magazines, because of the low-costs in content delivery.
A few months ago Conde Nast proclaimed they were undergoing a dramatic rebranding effort and focusing more on digital. The publishing company has finally made headway with Glamour Magazine and the new spinoff Lipstick.
Conde Nast announced the new website Lipstick.com and it will feature “immersive storytelling” and “actionable tips” from the fashion and beauty industry’s best stylists, makeup artists and dermatologists, as well as on-trend ideas from contributors, celebrities and brands
Conde Nast is trying something new with Lipstick, making a fully responsive website geared specifically for mobile. This is a savvy move because “half of Glamour.com’s 7.5 million readers are reading from their phones.” All of the current magazines Conde publishes are in app format for iOS or Android. Lipstick is departing from the standard native app and is more scalable with the new format.
“As Glamour's first digital spinoff, Lipstick.com marks a major milestone for our brand," said Cindi Leive, Glamour's editor-in-chief. “It offers us the opportunity to provide our digitally savvy readers with deeper, more specialized beauty content – which our existing site tells us they're hungry for more of. We believe Lipstick.com will offer readers Glamour's beauty authority in a true, digital-native environment.”
Friday, April 18, 2014
Watch Dogs is one of the most eagerly anticipated video games in years. Ubisoft Studios has been working on a cyberpunk themed game that brings back memories Shadowrun. The company is going to be releasing a new eBook soon entitled Watch Dogs //n/Dark Clouds.
The upcoming eBook is written by John Shirley, the storyline picks up where the Watch Dogs video game leaves off, allowing fans to further explore the world of Watch Dogs. The ebook is a first for Ubisoft, as it was conceived in-house and will be released exclusively via digital channels.
“Working on Watch Dogs was enormously interesting to me because its world offers the convergence of cyberpunk and the edgy tech reality of our times; it all plays out with action and energy against the inner city backdrop that I thrive in” said John Shirley. “With hack tech in one hand and gun in the other, Aiden Pearce is a believable fusion of hacker and action hero who deliberately slips between the cracks of society to relentlessly pursue his agenda. The novel introduces Mick Wolfe, an ex-military, who get caught in a dangerous game in Chicago’s hyper connected and violent underground. Working with Thomas Geffroyd and Kevin Shortt at Ubisoft to develop the book was a rocking experience – Ubisoft is right out there on the frontier of videogame development. I couldn’t ask for more inspiration”.
Watch_Dogs //n/Dark Clouds will be available in English, French, Italian, German and Spanish at the game’s release on May 27, 2014. It will be available in two digital formats: an upgraded e-book version with interactive elements including videos and image and a classic e-book. For more information, click here.
We've made some changes to the OverDrive websites to make it easier for your users to learn about your digital collection through OverDrive. On April 15, we split OverDrive.com into two websites – one for users, and one corporate website with OverDrive’s company information. This reorganization is to help serve you and your users better.
The majority of visitors to overdrive.com are end users, so we are tailoring this website to them, providing a simple way to find their local library, search for titles to borrow, download the OverDrive app and find help articles. All of the information about OverDrive is still available for you – we just moved it over to company.overdrive.com. All partner resources can still be found at partners.overdrive.com.
The new OverDrive.com allows users the chance to sign up for an OverDrive account, which provides many great features to ensure a positive experience using your digital library. Users are able to search the entire OverDrive catalog on OverDrive.com and filter the results by their saved libraries, as well as save their favorite searches to use time and again. The OverDrive account is optional, and enables users to save an Adobe ID to sync across all devices running the OverDrive app (v3.1) on Android and iOS platforms (Windows 8 is forthcoming as well). This means they only have to enter their Adobe ID once, and then can sync it to all of their devices using the OverDrive app. The app also has added enhancements including a custom embedded streaming video player and a built-in iOS dictionary on iOS devices. This creates a more streamlined experience for your users.
Feel free to give it a try. If you have any questions, please contact your Account Specialist or submit a request to Support via OverDrive Marketplace.
|Amazon and Samsung have announced an interesting new partnership that has resulted in a co-branded Kindle reading app called Kindle for Samsung. The new app includes some exclusive features, notably access to Samsung Book Deals, a service just launched that provides access to 12 free ebooks a year to all Kindle for Samsung users. The […]|
|Last year when Amazon acquired Goodreads, an online book community where people review and discuss books as well as find new books to read, we knew it was just a matter of time before Amazon started making use of Goodreads’ resources. Amazon has already integrated Goodreads into their Kindle Paperwhite ebook readers and Kindle Fire […]|
In conjunction with the Children’s Book Council and timed to coincide with the annual Children’s Book Week (May 12-18, 2014), Pubslush’s contest encourages parents to upload snapshots of their children reading their favorite books. The contest, aimed at readers ages twelve and under, includes a prize package worth $500 in books, with varies titles made available for different ages.
Now in its 95th year, Children’s Book Week is the longest running literacy initiative in the US. The work of promoting the event every year falls under the non-profit organization Every Child A Reader. Organizations like schools, libraries, and citizen groups will host various events at the local level in conjunction with Book Week.
For Pubslush’s contest, participants upload a photo of their children to one of four different age categories; a category for classroom readers is also open. The photos will be voted on through Pubslush’s Facebook page, and the winner in each category with the most votes will be awarded a book bundle to continue the reading fun. Entrants may promote their readers’ photos on Twitter under the hashtags #littlereader and #CBW14. The contest is open now through May 18th, and a winner will be announced on May 20th.
Pubslush Announces Contest for Children’s Book Week is a post from: Good e-Reader
Book Expo America sponsored the first official Hackathon next year, which saw a few notable young startups pitch angle investors and the industry at large. Things are getting a little bit more serious for the upcoming publishing event in New York.
For the first time ever, there will be a Startup Alley at BEA, bringing together the best of Silicon Alley and the book publishing industry on Thursday, May 29th, 2014. Startups will compete to appear before the judges that will decide prizewinners and potential investment candidates on the spot. The first prize of $10,000, is sponsored by ICG Ventures Inc., an Ingram Content Group company. The second prize, $5,000, is sponsored by Sourcebooks. All Startups at the event are eligible for consideration. A select few will have the opportunity to make their case to the judges at this year’s event.
“Last year at BEA, we brought the tech community and the book publishing industry together for the first publishing hackathon and we saw the great kind of innovation that comes out of bringing these communities together,” said Joanna Stone, CEO of Librify. “This year we are continuing that tradition by creating a place at BEA for the growing book publishing startup community to gain access to traditional publishers and top venture capital and investment professionals.”
The judges will include well-known names from venture capital and publishing including David Roland, Chief Venture Capital Officer, ICG Ventures Inc., Brian Cohen, Chairman of NY Angels, Jordan Bettman, Bain Capital Ventures, Dawn Barber, co-founder of NY Tech Meetup, Dominique Raccah, Publisher of Sourcebooks, and more. BookExpo Startup Challenge will be accepting applicant startups at bookexpochallenge.com , where they can submit their pitch for our judges.
“BookExpo Startup Challenge is poised to be a fantastic event for BEA and the industry that will put a spotlight on innovation and technology at BEA, an important component of the publishing ecosystem,” said Steven Rosato, Event Director for BookExpo America, Reed Exhibitions. “We expect this event to attract wide media coverage and to bring in solid venture capitalists looking for unique opportunities.”
Librify and BookExpo America have made a limited number of entry-level registration packages available for qualifying startups. All registered startups will have access to additional benefits including interactions with executives from major publishing houses (including the Big 5), access to coaching and strategic advice from investment industry professionals, coaching from NY Tech Meetup founder Dawn Barber, and much more.
Startups seeking to participate in the BookExpo Startup Challenge should visit bookexpochallenge.com to apply. Others seeking more information regarding this year’s BookExpo America at the Javits Center should visit www.bookexpoamerica.com.
Digital Publishing Startups Vying for $10,000 at BEA is a post from: Good e-Reader
Thursday, April 17, 2014
“Someone said we were going to outline roadmaps for how we got to where we are. I’m going to do two things: tell you not to follow me because I don’t know where I’m going, and to share with you all the really bad ideas I’ve had over the years. I narrowed it down to my top 5,000 bad ideas, and then the top 500, and I think it got it down to my worst fifteen or twenty.”
Howey recounted a humorous story about his first disastrous efforts at navigating a large sailboat, likening it to the current state of publishing. “Where we are as experts is we’re looking at yesterday and trying to tell you what tomorrow’s going to be like. It’s what weather forecasters and hurricane forecasters do. It’s not a very good road map. What’s exciting is that someone out there should be up here telling us what they think.”
In his typical humility, Howey disparaged the idea that interview subjects should be some of the bigger names in publishing. “The ones who should be up here giving talks are the midlist authors, traditional or self, who their lives are being changed by these new tehcnologies. No one interviews those people, they wait until they’re outliers. There are people out there who are making a living with their work and no one’s ever heard of them, that’s the real story of self-publishing.”
Howey went on to expand on a number of ideas that are currently held in the industry in an air of dispelling the myths. One of the more profound ideas is that the rise of retail giant Amazon has actually been a good thing for independent book stores, as he outlined by demonstrating that shoppers who go to Amazon are looking for books whose titles they know in order to have a discount, but that the loss of browsing opportunities like Borders forced more consumers to look for book recommendations in smaller stores where individuals knew their customers.
In that vein, Howey supported the idea that self-published authors, long suffering from difficulty in getting their books placed in physical bookstores, shouldn’t concern themselves with the placement of their work in physical bookstores as the majority of sales are coming from online retail outlets.
More important is Howey’s concept of the weather forecaster, understanding that looking at what has worked in the past is not the safest bet when it comes to understanding how publishing is changing.
“Looking at trend lines is a bad idea for where this industry is going. The reason this industry is changing is the cost of producing and distributing books has plummeted to almost zero. When there’s a market force like this, it upsets an entire industry.”
A panel presented by Amanda Barbara of book crowdfunding site Pubslush, C. Hope Clark of FundsforWriters, Miral Sattar of BiblioCrunch, and Orna Ross of the Alliance of Independent Authors offered a wealth of information about how to proceed with a publishing project, knowing that writing a great book is only the first and most important step towards a professional career.
“We help authors, both self-published authors and traditionally published authors, to really have the tools to build their platforms before they publish,” explained Barbara to the panel attendees. “It’s important for authors to have a place to build buzz around their books through social media. Readers really want to be able to connect with their favorite authors. We recently launched a program to allow publishers and different partners in the industry like self-publishers and editors to actually launch white-labeled pages on Pubslush.”
Pubslush, who sees its mission as more of a preorder tool that lets authorize monetize on their preorder sales in order to secure the services they need for publishing, states that the term crowdfunding can be misunderstood by supporters. Still, that hasn’t prevented the site from helping numerous authors meet their goals for their books through these preorders.
Clark, herself a mystery writer, launched a site that has been a Writer’s Digest Best Site for Writers for thirteen years. “I started FundsForWriters when I could not sell my mysteries, and I was so hellbent on being a writer I decided to do something, no matter what it was. FundForWriters gave me a platform to turn back around and develop the mystery series. My mantra is to not think that you’re going to go from point A to point B. You’re writing career is going to take off on all kinds of tangets.”
These tangents, according to Clark, naturally evolves into the author’s route to publication and ultimately career satisfaction, which is ultimately a better measure of success than any other factor.
BiblioCrunch’s CEO Miral Sattar explained the purpose of the platform as an Angie’s List of professional publishing resources, offering assistance to both authors and publishers alike; she and Ross spoke to the need for understanding where to find quality professional resources.
Some of the focus that the panelists offered was that there is no single method that will succeed for every book or every author. Also, crowdfunding as a solution is often misunderstood, both by people who’ve launched campaigns and by those who’ve supported them; in the case of these book preorders, it’s not a matter of asking ones own friends and family members to donate as it is selling content to interested parties. Clark pointed out that one of the major obstacles for authors in this regard is that there seems to be a disconnect between authors and discussions of money, as though the creative aspect is somehow going to make up for the business side of publishing and selling. Sattar rounded out the discussion by offering insight for authors in attendance on review and promotional opportunities, a notoriously difficult hurdle for many writers, as well as the need for vetting some of the professionals who claim to have knowledge of the industry.
Ross went on to remind authors that creating a fantastic product is not a solo effort, even for authors. “People think [independent] means just self-publishing only, but it means that you define yourself as the creative director of your book from conception to completion. Self-publishing is a misnomer because we don’t do this by ourself. You are in the partnership business, you are a collaborator.”
Authorpreneurship and the Business of Being an Author is a post from: Good e-Reader
At this morning’s keynote event from the 2014 PubSmartCon in Charleston, South Carolina, publishing industry professional Jane Friedman spoke on the roundabout definition of what it means to publish in the current climate. Examining it from its early roots, all the way through publishing via blogging, the session explored what authorship and readership have come to mean.
“It was the rise of literacy that allowed authors to make a living because it increased the market demand for books. But what’s interesting to me in the current dynamic is how everyone is becoming an author through social media and other instant publishing tools, whether that’s WordPress or KDP or Smashwords that allow you to control when, where, and how you distribute your words.”
Friedman went on to explanation how the growth of universal literacy has led to the concept of universal authorship, in which anyone has the ability to amplify their reach through publishing.
“This greatly changes the environment that we’re in, whether it’s in trying to increase visibility, make money, or either one. The universal authorship trend has driven up the number of titles that get published…but this is not even beginning to capture the entire universe of content that’s out there.”
Friedman was, of course, referring to the number of titles–both traditionally and self-published–that are known to be published under an ISBN number, something that not all books have. These numbers are known to be much higher than her data was able to indicate.
“Publishing is a button that you can press and distribute your ideas instantly to a worldwide audience. It used to be more of a rarefied process, controlled by the so-called gatekeepers or by people who were professionals who had very specialized knowledge. That’s not necessarily the case anymore, that calls into question, ‘What does it mean to publish when anyone can do it?’”
Friedman’s question has been asked by both supporters and critics of the current trends in publishing, but she portrays and industry where readers transform the social fabric surrounding the culture of books. But her more profound statement involved an understanding that Amazon is not an enemy of publishing, but the failure of publishers to sell to consumers and understand their readers in a more personal way is that enemy.
One suggestion Friedman carried for an industry that is struggling through the scarcity of attention for the abundance of content out there is to better understand the reader-book relationship and return attention to the readers. A number of trends she highlighted that are especially working for authors where they are is the mobilization of reading on smart devices, the return of serials through a wide variety of platforms, and the verticals of companies that are already making headway in the industry.
PubSmartCon: Jane Friedman on What It Means to Publish is a post from: Good e-Reader
Oyster is one of the more prominent eBook subscription websites and it is starting to distinguish themselves from a crowded marketplace. The company is trialing new speed reading technology from Spritz.
Spritz has been in the news a ton lately, as their speed-reading technology is going to be integrated in the Samsung Galaxy S5. The essence of the platform is to allow users to crank up how many words per minute a body of text will produce. Spritz is fairly useless on large screen displays, but really shines on smartphones, where reading lots of text is daunting.
There is only a single title right now using Spritz and is available at OysterBooks.com/Spritz, “The 7 Habits of Highly Effective People” — the renowned business title by Stephen Covey with over 20 million copies sold to-date – is available for free. Oyster is challenging the public to complete the 432 print-pages of the book in under 2 hours.
This offer is a first-of-its-kind collaboration and Oyster and Spritz are excited to hear from users about the experience. They’ll evaluate the response and consider bringing additional full-length, in-copyright books to the public together again in the future.
Oyster Trials Speed Reading Technology from Spritz is a post from: Good e-Reader
Kobo released the Arc in 2012 as competitor to Barnes & Noble's Nook Tablet and HD series, and Amazon's Kindle Fire. A few months back, Kobo brought us the Arc HD, as a way to get into the high definition market, as well as offering a 10-inch model to supplement their 7-inch device. The difference between the two devices in some ways makes the HD a step up from the standard Arc, but a few features make it merely a lateral move.
I'll start with the less-than-stellar changes to the Arc HD, beginning with the audio. The Arc offered dual front-facing speakers, allowing a stereo listening experience, while the Arc HD moves the single speaker to the back. If you're using headphones with the device, you're not really losing anything. However, sharing video or audio with friends may suffer. I also am not fond of the change from the power button to the slider on the top of the device. The projected battery life is down two hours from the Arc (10 hours) to the Arc HD (8 hours), and the 64 GB storage option is no longer available. Like I said – there are just a few features that don't stack up with the previous model. But now onto the changes for the better.
Obviously, the high definition screen is a step up from the standard definition of the older Arc model, especially now that they offer a 10-inch device, in addition to the 7-inch model I reviewed. No matter what size Kobo Arc HD you have, OverDrive Streaming Videos will look fantastic. If your library hasn't added Streaming Video to your OverDrive collection, contact your Collection Development Specialist to get started with this new popular format.
The processor has been upgraded from a dual-core to a quad-core, making the device more responsive and faster. Apps open and screens load super quickly, including web pages. You get Jelly Bean as the Android OS, meaning you get a relatively current Android experience with minimal overlay from Kobo. This gives you the feel of an Android tablet that just happens to have Kobo integration.
Another change from the Arc to the Arc HD that I really enjoyed was the exclusion of "Tapestries." With Tapestries, Kobo offered a way to organize apps in much the same way as the Android OS allows through the use of folders; however, they felt a little unwieldy on the Arc. Instead, they now offer a home screen page called "Collections" which arranges your groups of apps into a configuration resembling a bookshelf – it's a nice aesthetic touch for the avid reader.
The Arc HD is also Google Play certified, giving you instant access to Google's large collection of Android apps. This means you have quick access to install OverDrive Media Console on the device, and jump right into reading.
Justin Noszek is a Support Services Specialist at OverDrive.
eReatah originally launched their Netflix for eBooks subscription service back in September and changed their name to Entitle a few months later. The service heavily competes with Scribd and Oyster for users wanting to subscribe to their websites and download books on a monthly basis. While the competition relies on iOS and Android apps to appeal to the widest demographic of readers, Entitle is now supporting dedicated e-readers, such as the Kobo, Nook and Sony.
Entitle has been testing their e-reader system for a number of weeks and now the books are available for primetime. In order to get started you first need to download Adobe Digital Editions. This is a free app and allows you sync paid and borrowed eBooks directly to your e-reader. Once the book has been downloaded to your computer, you can use ADE to copy it to your Kobo Aura or Nook Glowlight. Once its on your device, it will pop up under your library and you can begin reading on the go.
The support for e-readers when it comes to dedicated eBook subscription services is quite weak. Amazon is the only company to offer this functionality with their Prime Kindle Lending Library. Scribd offers apps for iOS, Android, and Kindle Fire, while Oyster is limited to iOS. Entitle has apps now for Android, iOS and now dedicated e-readers. Obviously when it comes to reading, sticking with an e Ink device is better for long reading sessions.
Entitle manages their eBook subscription service quite differently from their competitors. The company only offers a limited number of books a customer can borrow on a monthly basis. For $9.99 you can download two books a month and lots of big name publishers are supporting the efforts. The company has deals with major publishers including Simon & Schuster, HarperCollins, HarperCollins Christian, and Houghton Mifflin Harcourt, with more than 100,000 professionally-published titles from authors like Stephen King and Dan Brown. Basically, it is a book of the month type club for a digital world.
Some of you will be aware that we’ve been working on a new, more responsive and more modern desktop experience for the Raspberry Pi. We thought you might like an update on where we are with the project.
The chip at the heart of the Raspberry Pi, BCM2835, contains an extremely powerful and flexible hardware video scaler (HVS), which can be used to assemble a stack of windows on the fly for output to the screen. You can see this as being a much more complicated version of the sprite capabilities you may remember from 8- and 16-bit computers and games consoles from the Commodore 64 onward.
The Wayland compositor API gives people like us a way to present the HVS to applications in a standards-based way. Over the last year we’ve been working with Collabora to implement a custom backend for the Weston reference compositor which uses the HVS to assemble the display. Last year we shipped a technology demonstration of this, and we’ve been working hard since then to improve its stability and performance.
The “missing piece” required before we can consider shipping a Wayland desktop as standard on the Pi is a graphical shell. This is the thing that adds task launching and task switching on top of the raw compositor capabilities provided by Wayland/Weston. The LXDE shell we use under X on the Pi doesn’t support Wayland, while those shells that do (such as Gnome) are too heavyweight to run well on the Pi. We’ve therefore been working with Collabora since the start of the year to develop a lightweight Wayland shell, which we’ve christened Maynard (maintaining the tradition of New England placenames). While it’s some distance from being ready for the prime time, we though we’d share a preview so you can see where we’re going.
Packages for Raspbian are available (this is a work in progress, so you won’t be able to replace your regular Raspbian desktop with this for general use just yet, and you’ll find that some features are slow, and others are missing). Collabra have made a Wiki page with compilation instructions available: and there’s a Git repository you can have a poke around in too.
|What exactly is SharePoint? (And how do you use it?) We found some great training resources that should help you get started.|
Samsung has announced that they have reached terms with Amazon to have a custom built Kindle store for its flagship Samsung Galaxy S5 smartphone. The store will launch in two weeks and phone owners will be able to download 15 eBooks for free as part of the deal.
The plans for the custom version of the Kindle Store will launch exclusively for the S5 for the first few months and older phones will get the service later in the year. Samsung wants to make the new Kindle store a big selling point of the phone.
The free books will be available from a pre-determined list. Users will get four “prominent” titles a month to choose from and be able to select one to download for free and read.
Amazon already has an Android app that people all over the world use to install on their phones and tablets. The one for Samsung was built exclusively for the resolution and specific screen size. Likely, you will get a better experience with this iteration, than the stock one. Still, free books is fairly compelling and the Kindle store will be preinstalled on all S5 phones, which is good promotion for Amazon.
Samsung and Amazon Partner up for Custom Kindle Store is a post from: Good e-Reader
Men are giving up on reading books and instead are switching to movies, internet and blogs. Overall men are starting to realize that they are not reading as much as they should, but according to a new study, there are many other factors.
OnePoll did a study on behalf of UK based Reading Agency and talked to over 2,000 young and adult men. 63% of men admit they simply don’t read as much as they think they should. Many blamed a lack of time while, a fifth said they find it difficult or don’t enjoy it.
As men start to get older they tend to read less, as life gives them more distractions. 46% of the men reported reading fewer books now than they did in the past; a third prefer the internet and 30% engage more with film and TV. Not surprisingly a staggering one in five men confessed that they have pretended to have read a specific title in order to appear more intelligent. Meanwhile 30% stated that have not read a single book unless it was mandatory reading in school.
The study also drew the interesting conclusion that men are not visiting libraries or bookstores anymore. They tend to shop for more practical things or zone out on a movie on television or Netflix. Women on the other hand tend to loan books to each other and participate in the bookstore scene.
Wednesday, April 16, 2014
Welcome to another Good e-Reader Roundtable discussion with Michael and Peter. The topic today is what is the better operating system overall, Android or iOS? The two tech stalwarts talk about personal experiences with them both and make some valid points.
One of the real benefits of the Apple ecosystem is the first party developer support. If you want to deliver magazines, newspapers or games, you only have a few screen sizes and resolutions to choose from. You rarely deal with aspect ratio problems and get the content as they intended. Android on the other hand has so many different screen sizes and resolution, that you encounter errors more often.
Android on the other hand allows for more customization options in the form of keyboards, widgets, live wallpapers and launchers. You get more freedom to craft your own experience.